“Simon said, in the first phone call I had with him over this, that he was just so hacked off with this government and what they’re doing to people,” Huison says. The episodes are entertaining, but the political undercurrent is undeniable, which attracted Huison. Sharp sees the series as part of the British tradition of not shying away from important issues onscreen. Unfortunately, there have been places left behind that didn’t need to be.” “But the whole world has had to recalibrate after financial market crashes and then the pandemic and so on. “For a while, it looked like that was happening,” Sharp says. Sharp remembers a sense of hope in 1997: A Labour government had been elected, and regeneration was in the works for areas that had taken a hit during the ’80s. The TV series balances humor and tragedy like the film did however, it’s clear in the episodes that things are more dire now. “And I was just like, ‘Off we go again!’” “It was just like putting on an old pair of slippers,” Huison adds. And then when we got on to the filming, that was fantastic because you realize, ‘Oh, my God, there’s a shorthand here.’ You don’t just know your own character, you know these other characters as well.” So it was an amazing moment at the read-through. “But as soon as it finishes, you’re off doing something else. “It’s a strange thing for people because you imagine we’re all friends forever and we’re constantly in touch, and you are - when you film something, it’s like a wee family,” Carlyle says. While Sharp and Addy have been in contact in the years since the film’s release, many of the other cast members hadn’t seen each other since the ’90s. Now they’re in danger of losing everything that was so precious.” But you’ve got two people who are dealing with a very difficult situation, the death of their baby, and they have both dealt with it in very different ways. Jean has gone all the way with Dave’s support and help. “Jean was Dave’s biggest cheerleader, and now that has been reversed in a way. ![]() ![]() “The relationship between Jean and Dave arguably was the emotional center of the film,” Sharp says. She’s the headmistress of a school that is literally collapsing, and her marriage to Dave is in peril because the couple has buried their grief after losing a child. They lost their place in society.”Ī TV series also allowed Beaufoy and Nutter to explore Jean, Dave’s wife, more fully. Not just in Sheffield, but all over the country. There was the death of the steel industry, and in the ’80s and ’90s there were all these unemployed men. Politics were the reason these guys were stripping in the first place. “One of the first emails that Simon wrote to me said, ‘Don’t worry, there’s no stripping,’” Carlyle says. The series shifts its focus away from the characters’ short-lived stripping career, which came as a relief for the cast, who felt they were too old to be taking their clothes off onscreen. “They said, ‘Everybody else is on board,’ which is obviously a lever,” says Huison. It helped that his castmates were in as well. Huison, who left acting years ago to become a painter, says he agreed to play Lomper again because he trusts Beaufoy’s storytelling. The familiar characters remain, and continue to struggle and scheme, and the series introduces several new ones, including Gaz’s daughter, Destiny (Talitha Wing), and Lomper’s husband, Dennis (Paul Clayton). He’s back 23 years later with the British choir comedy “Military Wives.”īeaufoy teamed up with Alice Nutter, whom he previously collaborated with on the FX series “ Trust,” to write the scripts. ![]() Peter Cattaneo earned an Oscar nomination for “The Full Monty” and then couldn’t figure out what to do next. ![]() Movies 23 years after the sleeper success of ‘The Full Monty,’ Peter Cattaneo turns to ‘Military Wives’
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